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A01=Cueponcaxochitl D. Moreno Sandoval
A01=Gregorio G. Rocha-Tabera
A01=Jennifer Campos Lopez
A01=Julissa Ruiz Ramirez
A01=Lirio Patton
A01=Martha Gonzalez
A23=Martha Gonzalez
Age Group_Uncategorized
Age Group_Uncategorized
agency
ancestral knowledge
Author_Cueponcaxochitl D. Moreno Sandoval
Author_Gregorio G. Rocha-Tabera
Author_Jennifer Campos Lopez
Author_Julissa Ruiz Ramirez
Author_Lirio Patton
Author_Martha Gonzalez
automatic-update
Black students
Category1=Non-Fiction
Category=JBSL
Category=JBSL1
Category=JFSL
Category=JFSL1
Category=JNF
Category=JNT
Chicanx movement
communal healing
community systems
COP=United States
culture
curriculum
Delivery_Delivery within 10-20 working days
Education
epistemologies
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist
Indigenous
justice
Language_English
liberation
methodology
Mexican
music
PA=Available
People of Color
positive identity
Price_€100 and above
PS=Active
revitalizing
school curricula
SJF
softlaunch
sustaining
teacher practice
teaching
transformative
white settler colonialism

Product details

  • ISBN 9780807769515
  • Weight: 413g
  • Dimensions: 162 x 235mm
  • Publication Date: 26 Jul 2024
  • Publisher: Teachers' College Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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What happens when Chicanx students' educational experiences are shaped by the activation of ancestral worlds? Born of songs like La Bamba, oral traditions, call and response practices, body as an instrument, and embodying ecologies, the authors posit son jarocho fandango (SJF) methodologies as a tool of convivencia/conviviality, communal healing, positive identity formation, and agency. Against the backdrop of white settler colonialism, members of the intergenerational Son Xinachtli Collective formed across two U.S.--Mexican border states and two ethnic studies university courses. The Collective follows the tradition of the SJF decolonial movement, positioning SJF as an ancestral elder of the African diasporic, Mexican Indigenous, Spanish, and Arabic traditions--whose threat of extinction sparked a cultural revitalization. The survival of SJF and its ancestral worlds supersedes the ruptures of colonialism. From ethnic studies classroom practices to organizing SJF in the community, this work highlights the possibilities of nurturing co-liberation.

Book Features:

  • Offers an historical and contemporary example of culturally sustaining practices embraced by Chicanx and Indigenous communities.
  • Focuses on son jarocho fandango as a pedagogy and methodology in schools, not just an art form.
  • Shows how culturally sustaining pedagogy works in a postsecondary setting to center ethnic and cultural practices within the curriculum.
  • Interweaves student learning, ethnic studies pedagogies, teacher education, curriculum development, and civic engagement.
  • Includes visuals that provide the aesthetic of experiencing the son jarocho fandango movement.

Cueponcaxochitl D. Moreno Sandoval is an associate professor of Native American and Mexican Indigenous Studies at California State University, Stanislaus.

Lirio Patton is a clinical assistant professor of teacher preparation at Arizona State University.

Julissa Ruiz Ramirez, Gregorio G. Rocha-Tabera, and Jennifer Campos Lopez are scholars and members of the Son Xinachtli Collective, a group of intergenerational learners of the son jarocho fandango tradition.

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