Storytelling in Jazz and Musicality in Theatre

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A01=Sven Bjerstedt
aesthetics theory
African American Cultural Experience
arts discourse
Author_Sven Bjerstedt
Bix Beiderbecke
Category=AT
Category=AVL
Chopin
cognitive linguistics
Conceptual Blending
cultural semiotics
Eighteenth Century Medical Discourse
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Improvisational Moment
intermedial conceptual loans
Intermedial Relations
intermediality
jazz improvisation
jazz improvisers
Jazz music
Jazz Solo
jazz writings
Konstantin Stanislavski
Lester Young
metaphorical frameworks in performing arts
musical storytelling
Narrative Art Form
narrative structures
performance analysis
Playing Things
Psychological Gesture
Recent Interview Investigation
Semantic Specificity
Spoken theatre
Staniewski
Storytelling Metaphor
Temporal art forms
theatre practitioners
theatre writings
theatrical musicality
Vice Versa
Werner Wolf
Wo
Wolfgang Amadeus Mozart

Product details

  • ISBN 9781138312968
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the ‘tone’ in a book and of the ‘rhythm’ in a painting. In attempts to understand music better, we turn instead to the narrative arts, speaking of the ‘story’ of a musical piece. This book focuses on two examples of such conceptual mirror reflexivity: narrativity in jazz music and musicality in spoken theatre. These intermedial metaphors are shown to be significant to the practice and reflection of performing artists through their ability to mediate holistic views of what is considered to be of crucial importance in artistic practice, analysis, and education. This exploration opens up possibilities for new theoretical and practical insights with regard to how the borderland between temporal art forms can be conceptualized. The book will be of interest not only to scholars of music and theatre, but also to those who work in the fields of aesthetics, intermedial studies, cognitive linguistics, arts theory, communication theory, and cultural studies.

Sven Bjerstedt is a jazz pianist, PhD and Reader (Docent) in Music Education Research, Editor of the Swedish Journal of Music Research, and Senior Lecturer in Music at Malmö Theatre Academy, Lund University.

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