Storytelling in Luxury Fashion

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China
consumers
Corporate Heritage
cross-cultural fashion studies
digital branding
Digital heritage storytelling
digital heritage storytelling in fashion
digital humanities
digital humanities research
Digital Storytelling
Dolce & Gabbana
economics
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eq_business-finance-law
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Fair Isle
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fashion
fashion history
Fashion marketing
fashion studies
Fashion Subculture
Fortnum & Mason
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General Tweets
Gogh
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Guccio Gucci
Handmade Production
haute couture
heritage
heritage marketing
Hermes
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House of Worth
India
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Intangible Cultural Heritage
Italian National Identity
Italy
Japan
Louboutin
luxe
luxury
luxury consumer behavior
Luxury Fashion
Luxury Fashion Brand
Luxury fashion brands
Luxury Fashion Industry
Luxury Fibers
Marbling Art
marketing
narrative
Nur Jahan
price
Red Soles
Scotland
Scottish Landscape
social media
Spatial Storytelling
storytelling
technology
Tile Art
United Kingdom
USA
Useless Space
Vincent Van Gogh
Visual cultures
visual storytelling
websites
Young Man
Youtube

Product details

  • ISBN 9780367901288
  • Weight: 550g
  • Dimensions: 174 x 246mm
  • Publication Date: 23 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the ways in which luxury fashion brands use their heritage in their digital storytelling and marketing.

With chapters from authors in China and Macau (PRC), India, Romania, Turkey, the United Kingdom, and the United States, covering British, Chinese, French, Japanese, Indian, Italian, and Turkish brands, this truly global collection is the first book of its kind devoted solely to the emerging study of digital heritage storytelling. This method of reaching potential consumers and perpetuating brand identity is a hugely important factor in the marketing of luxury brands and has yet to be studied comprehensively.

The book will be of interest to scholars working in fashion studies, fashion history, design history, design studies, digital humanities, and fashion marketing.

Amanda Sikarskie is Lecturer in the Department of Art and Art History at the University of Michigan–Flint and in the Comprehensive Studies Program at the University of Michigan–Ann Arbor.