Strategies for Survival at SIBIKWA 1988 – 2021

Regular price €50.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
African Music
Age Group_Uncategorized
Age Group_Uncategorized
ANC Stronghold
applied theatre practice
arts centre governance
automatic-update
B01=Phyllis Klotz
B01=Smal Ndaba
Ba Ga
Board Member's Tenure
Boy's High
Category1=Non-Fiction
Category=AB
Category=AT
Civic Theatre
Community Arts Centre
community arts education
Contemporary South African Theatre
COP=United Kingdom
Cultural Governance
decolonial performance studies
Delivery_Pre-order
East Rand
Educational Learnership Programmes
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gender politics in arts
Id Copy
IEB
Indigenous African Music
indigenous music research
Language_English
Mbongeni Ngema
Nadine Gordimer
National Arts Festival
PA=Not yet available
Percy Mtwa
Price_€20 to €50
PS=Forthcoming
Ruphin Coudyzer
softlaunch
Sol Fa
Tonic Sol Fa
township arts centre survival strategies
Tshwane Municipality
UK Leg
United Democratic Front
Young Men

Product details

  • ISBN 9781032182681
  • Weight: 480g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book provides an engaging and contextualised insight into a South African township-based arts centre that has survived the vicissitudes of steady militarisation in townships during some of the worst years of apartheid as well as the exhilaration of a new democratic policy while attempting to circumnavigate different policies and funding dispensations.

Sibikwa provides arts centres across the world and especially those in decolonising countries with strategies for survival in tumultuous times. This multi-disciplinary book maps and co-ordinates wider historical, political, and social contextual concerns and events with matters specific to a community-based east of Johannesburg and provides an exploration and analysis by experts of authentic theatre-making and performance, dance, indigenous music, arts in education and NGO governance. It has contemporary significance and raises important questions regarding inclusivity and transformation, the function and future of arts centres, community-based applied arts practices, creativity, and international partnerships.

This study will be of great interest to students and scholars in theatre and performance, indigenous music, dance, and South African history.

Phyllis Klotz is the artistic director and co-founder of the Sibikwa Arts Centre in Benoni.

Smal Ndaba is the co-founder and managing director of the Sibikwa Arts Centre in Benoni.