Stravinsky's "Great Passacaglia"

Regular price €92.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Donald G. Traut
Age Group_Uncategorized
Age Group_Uncategorized
Author_Donald G. Traut
automatic-update
Category1=Non-Fiction
Category=AVGC6
Category=AVH
Category=AVLA
Category=AVN
classical music
concerto
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
music composition
music history
music studies
music theory
musicology
PA=Available
piano
Price_€50 to €100
PS=Active
softlaunch
twentieth century composers
twentieth century music
wind intrsuments

Product details

  • ISBN 9781580465137
  • Weight: 444g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Nov 2016
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements. Stravinsky's "Great Passacaglia" marks the first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, an important neoclassic piece composed by one of the most influential composers of the twentieth century. Donald Traut examines the complex significance of this piece for Stravinsky and his contemporaries. For the composer, the Concerto was both a major artistic accomplishment in his burgeoning neoclassic style and a vehicle for financial gain as a touring soloist, an endeavor that took him throughout Europe and was instrumental in bringing him to America for the first time. For many of Stravinsky's critics it came to represent all that was wrong with his new style, while for others it pointed the way forward through the past, taking on an important role in the Bach revival of the 1920s. By combining sketch studies, musicological context, and straightforward analyses ofall three movements, the book paints a comprehensive picture of the piece's creation, impact, and structure that will be of interest not only to musicologists and music theorists, but to pianists, conductors, and concert-goers aswell. Donald Traut is associate professor of music theory at the University of Arizona.

More from this author