Street Art and Activism in the Greater Caribbean

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A01=Jana Evans Braziel
Antillean visual culture
Antilles
art history
artists
Author_Jana Evans Braziel
Blue Skies
Caribbean Archipelago
Caribbean Urbanization
Category=AB
Category=AGA
Category=GTM
Category=JBSD
Category=JHB
Category=JPWC
Category=NHK
Category=NHTK
Chachi Gonzalez Colon
cities
city
Colectivo Morivivi
colonialism
colonized
comparative analysis street murals
Cuba
De La Habana
Desolation Angels
dictatorship
digital activism Instagram
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fanmi Lavalas
freedom
graffiti
Greater Caribbean
Habana
Haiti
Haitian Flag
Haitian Woman
Havana
Impossible States
inclusion
island
Jean Jacques Dessalines
La Habana
La Vieja Habana
liberty
Michel Martelly
Moise "Jerry" Rosembert
Moise Rosembert
Monarch Butterflies
murales
muralism political engagement
murals
Museo De Arte
occupied
Pink Tide
politics
Port-au-Prince
postcolonial Caribbean studies
President Martelly
protest
Puerto Rico
Raysa Rodriguez Garcia
Salome Cortes
San Juan
Sel
social justice
social transformation movements
Street Art
Street Art Scene
Street Artist
Street Murals
urban
urban resistance art
Virtual Publics
Yulier Rodriguez Perez

Product details

  • ISBN 9781032247724
  • Weight: 720g
  • Dimensions: 174 x 246mm
  • Publication Date: 06 Sep 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Foregrounding street art in the capital cities of Cuba, Haiti, and Puerto Rico, this book argues that Antillean street artists diagnose the “impossible state” of the arrested present (colonized, occupied, or under dictatorship) while simultaneously imagining liberated futures and fully sovereign states.

Jana Evans Braziel launches a comparative study of art, politics, history, urban street cultures, engaged citizenships, and social transformations in three Antillean capital cities—Havana, Cuba; Port-au-Prince, Haiti; and San Juan, Puerto Rico—of the Greater Caribbean. The book includes a photo documentary archive of street art, murals, and installations by key muralists in these cities: Yulier Rodriguez Pérez, "Jerry" Rosembert Moïse, and Colectivo Moriviví (Chachi González Colón, Raysa Rodríguez García, and Salomé Cortés). Braziel offers art historical and geopolitical analyses of the urban street art in their cities of production, underscoring street art as political, economic, and environmental engagements (and not as exclusively aesthetic ones) with urban space and street life.

The book will be of interest to scholars working in art history, Caribbean studies, Latin American studies, and urban studies.

Jana Evans Braziel is Western College Endowed Professor in the Department of Global and Intercultural Studies at Miami University.

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