Street Performers and Society in Urban Japan, 1600-1900

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A01=Gerald Groemer
artist
ascetics
Author_Gerald Groemer
Battle Tales
Candy Vendors
Category=AB
Category=ATD
Category=GTM
Category=JB
Category=JHMC
Category=NHF
Category=NHTB
Category=NHTK
Disorderly Behavior
economic migrants arts
edo
Edo City
Edo Period
Edo period society
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fuke Sect
grounds
Hinin Status
Kitagawa Morisada
Kumano Bikuni
Lucky Gods
Medicine Vending
Meiji era transformation
mikawa
Mikawa Province
Monkey Handlers
mountain
Mountain Ascetics
Naniwa Bushi
Nenbutsu Dancers
performance anthropology
period
province
shrine
Shrine Grounds
social stratification Japan
street performance regulation Japan
Street Performers
Takizawa Bakin
Tokyo City Government
Tooth Powder
urban cultural history
Variety Halls
ward
Yado
Yin Yang Diviners
Young Man

Product details

  • ISBN 9781138477162
  • Weight: 635g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Jan 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated than the official four caste system; and institutions of professional organization and registration, enforced by government, with penalties for unregistered performers. The book discusses how performing, witnessing, and rewarding performance were closely bound up with economy, society and government, how the interaction between various groups related to socio-economic advancement, how the system of street performance reinforced social control, and how the balance between different groups shifted over time.

Gerald Groemer is Professor of Ethnomusicology and Western Musicology at Univeristy of Yamanashi, Kofu, Japan.

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