Striking Likeness

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A01=David Cross
Abbot Hall Art Gallery
Adam Walker
Author_David Cross
British art history
Category=AFC
Category=AGA
Category=AGB
Category=AGHF
Category=DNBF
Cavendish Square
Colne Priory
Dunrobin Castle
Earl's Colne
Earl’s Colne
East India Company
eighteenth-century
eighteenth-century gentry
eighteenth-century portraiture
English portrait artist biography
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fitzwilliam Museum
Francis Cotes
George III
George Romney
George Stubbs
history painting
history painting techniques
Honourable East India Company
Incorporated Society
influential figure
James Street
Lake District artists
Madame De Genlis
neo-classicism
neo-classicism movement
Orleans Collection
portraits
Robert Edge Pine
romanticism
romanticism in painting
Romney's portraits
Romney’s Portraits
Royal Academy
Sir George Beaumont
St Martin's Lane Academy
St Martin’s Lane Academy
Thomas Banks
Upton House
Walker Art Gallery
Young Man

Product details

  • ISBN 9781138704978
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This title was first published in 2000: In their stunning simplicity, George Romney's portraits of eighteenth-century gentry and their children are among the most widely recognised creations of his age. A rival to Reynolds and Gainsborough, Romney was born in 1734 on the edge of the Lake District, the landscape of which never ceased to influence his eye for composition and colour. He moved in 1762 to London where there was an insatiable market for portraits of the landed gentry to fill the elegant picture galleries of their country houses. Romney's sitters included William Beckford and Emma Hart, later Lady Hamilton. An influential figure, one of the founding fathers of neo-classicism and a harbinger of romanticism, Romney yearned to develop his talents as a history painter. Countless drawings bear witness to ambitious projects on elemental themes which were rarely executed on canvas. Richly illustrated, this is the first biography of Romney to explore the full diversity of his oeuvre. David A. Cross portays a complex personality, prone to melancholy, who held himself aloof from London's Establishment and from the Royal Academy, of which Sir Joshua Reynolds was President, and chose instead to find his friends among that city's radical intelligentsia.

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