Strong and the Weak in Japanese Literature

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A01=Fuminobu Murakami
Author_Fuminobu Murakami
Category=DSB
Chinese Robe
classical Japanese texts
contemporary
Contemporary Japanese Writers
Dancing Girl
deputies
Eight Dog Chronicles
Emperor Antoku
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
Filial Piety
fukuzawa
Fukuzawa Yukichi
genji
Hakamaya Noriaki
Haruo Shirane
heike
illicit
Japanese cultural studies
Kawabata Yasunari
Kiso Yoshinaka
literary criticism Japan
literary depictions of social inequality
Lotus Sutra
love
marginalisation in literature
Murakami Haruki
Murasaki Shikibu
Polyphonic Narrative
power dynamics society
Pure Land
Pure Land Teaching
Retired Emperor
Shogun's Deputies
shoguns
Shogun’s Deputies
Snow Country
social hierarchy analysis
tale
Ugly Lady
Yamazaki Ansai
Yoshimoto Banana
Yoshimoto Takaaki
Younger Man
yukichi

Product details

  • ISBN 9780415573863
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 May 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book uses texts from classical to modern Japanese literature to examine concepts of 'respect for the strong', as a notion of an evolutionary society, and 'sympathy for the weak', as a notion of a non-violent and changeless egalitarian society.

The term strong refers not just to those with strength and power. It also includes other ideal attributes such as beauty, youth and goodness. Similarly, the term weak implies not only the weak and infirm, but also the disadvantaged, the indecent, the unsophisticated and those generally shunned by society. The former are associated not only with the power of life, competition, evolution, progress, development, ability, effectiveness, efficiency, individuality, the future, hope and romance, but also with violence, fighting, bullying, discrimination and sacrifice. The latter, in contrast, invoke notions of peace, egalitarianism, anti-discrimination and welfare, as well as stagnation, retreat, retrogression, degeneration and the decline of vital powers.

By using these two concepts Murakami skillfully weaves a narrative that is part literary criticism, part social commentary. As such the book will be of huge interest to not only scholars and students of Japanese literature, but also those of Japanese society and culture.

Fuminobu Murakami is Associate Professor at the Department of Japanese Studies, University of Hong Kong. He is author of Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture (Routledge, 2005), and co-editor of Reading The Tale of Genji (Global Oriental, 2009).

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