A01=Terence Hawkes
Aesthetic Message
AMERICAN STRUCTURAL LINGUISTICS
Associative Total
Author_Terence Hawkes
Beetle's Movement
Beetle’s Movement
Category=CF
Category=DSA
Category=DSB
Category=GTD
closing
critical theory introduction
culler
cultural theory foundations
De La Grammatologie
Du Sens
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
Fairy Tale
ferdinand
Formal Organization Work
fredric
Gabriel Josipovici
Homo Loquens
Iconic Message
Intrinsic Laws
jameson
jonathan
Knight's Move
Knight’s Move
linguistic anthropology
literary analysis methods
modern critical theory applications
narrative structures
Orchestra Score
Organic Community Life
Phonemic Structure
Pierre Guiraud
Poem's Context
Poem’s Context
poetic
Satyr Marsyas
saussure
semiotic analysis techniques
Serge Doubrovsky
statement
Superimposes
Tel Quel
Vice Versa
Violated
wisdom
Product details
- ISBN 9780415321525
- Weight: 160g
- Dimensions: 129 x 198mm
- Publication Date: 17 Jul 2003
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Published in 1977 as the first volume in the New Accents series, Structuralism and Semiotics made crucial debates in critical theory accessible to those with no prior knowledge of the field. Since then a generation of readers has used the book as an entry not only into structuralism and semiotics, but into the wide range of cultural and critical theories underpinned by these approaches.
It remains the clearest introduction to some of the most important topics in modern critical theory. A new afterword and fresh suggestions for further reading complete this new edition.
Terence Hawkes is Emeritus Professor of English at Cardiff University. He is the author of a number of books on literary theory and on Shakespeare, including That Shakespeherian Rag (1986), Meaning by Shakespeare (1992) and Shakespeare in the Present (2002). He is General Editor of New Accents and of the Accents on Shakespeare series, also published by Routledge, and was the founding Editor of Textual Practice.
