Studi Pergolesiani- Pergolesi Studies
Regular price
€55.99
14 days return policy
Shipping & Delivery
16th
17th
18th Century History
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Simone Caputo
Category1=Non-Fiction
Category=AVGC9
Category=AVLF
Category=AVQ
Category=HBLH
Category=NHD
COP=Switzerland
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
Language_Italian
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9783034311700
- Weight: 310g
- Dimensions: 150 x 222mm
- Publication Date: 20 Dec 2012
- Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
- Publication City/Country: CH
- Product Form: Paperback
- Language: English, Italian
Secure
checkout
Fast Shipping
Easy returns
Il settimo volume di Studi Pergolesiani/Pergolesi Studies raccoglie le relazioni presentate al convegno «Roma 1735: Pergolesi e l’Olimpiade» tenutosi presso l’Università «La Sapienza» di Roma il 9-10 settembre del 2010. Il convegno, ideato da Franco Piperno, si inserì nella serie di manifestazioni dedicate a Giovanni Battista Pergolesi nel terzo centenario della nascita. Roma venne individuata come la sede di un tentato lancio dell’astro nascente della musica di scuola napoletana da parte di committenti filo-asburgici. Olimpiade del Metastasio fu il testo drammatico che doveva assecondare questo lancio nei circuiti teatrali italiani ed europei di un musicista fin lì affermatosi solo sulla scena partenopea. Ma il progetto fallì, probabilmente per il sovrapporsi di contrasti di matrice politica alla capacità della musica pergolesiana di far presa sul gusto del pubblico romano. Questo libro è la felice testimonianza di due fertili giornate di studio in cui un concreto oggetto di teatro musicale è stato sottoposto a disamina da molteplici prospettive disciplinari, con significativi contributi di studiosi di letteratura italiana, storici della lingua, bibliografi e musicologi.
Studi Pergolesiani/Pergolesi Studies 7 collects the papers presented at the conference «Roma 1735: Pergolesi e l’Olimpiade» held at «La Sapienza» University of Rome on September 9th-10th, 2010. The conference, conceived by Franco Piperno, was part of a series of events celebrating the third centenary of Giovanni Battista Pergolesi’s birth. Rome was identified by pro-Habsburg patrons as the starting point of an attempted promotion of the rising star of the Neapolitan school of music. Pergolesi’s music for Olimpiade by Metastasio was expected to launch the composer in the Italian and European theatrical circuits since until then he was renown only on the Neapolitan scene. The project failed, probably due to the overlapping of politically motivated conflicts to the ability of the Pergolesi’s music to reach Roman audience. This book is the outcome of two fertile days of study in which a concrete object of musical theater was examined from multiple disciplinary perspectives, with significant contributions from scholars of Italian studies, linguistic, bibliography and musicology.
Studi Pergolesiani/Pergolesi Studies 7 collects the papers presented at the conference «Roma 1735: Pergolesi e l’Olimpiade» held at «La Sapienza» University of Rome on September 9th-10th, 2010. The conference, conceived by Franco Piperno, was part of a series of events celebrating the third centenary of Giovanni Battista Pergolesi’s birth. Rome was identified by pro-Habsburg patrons as the starting point of an attempted promotion of the rising star of the Neapolitan school of music. Pergolesi’s music for Olimpiade by Metastasio was expected to launch the composer in the Italian and European theatrical circuits since until then he was renown only on the Neapolitan scene. The project failed, probably due to the overlapping of politically motivated conflicts to the ability of the Pergolesi’s music to reach Roman audience. This book is the outcome of two fertile days of study in which a concrete object of musical theater was examined from multiple disciplinary perspectives, with significant contributions from scholars of Italian studies, linguistic, bibliography and musicology.
Simone Caputo è ricercatore presso il Centro di Musica Antica «Pietà de’ Turchini» di Napoli. Nel 2011 ha completato il Dottorato di ricerca in Storia e Analisi delle Culture Musicali presso l’Università «La Sapienza» di Roma nel 2011 (Il Requiem nelle intonazioni musicali dal Cinquecento all’Ottocento). I suoi interessi di ricerca si concentrano sulla musica del XVIII e XX secolo, collabora inoltra con la Fondazione Isabella Scelsi e Nuova Consonanza.
Simone Caputo is researcher at the Centro di Musica Antica «Pietà de’ Turchini» of Naples. He completed his PhD in music history at «Sapienza» University of Rome in 2011 (The Requiem Mass in the musical intonations from the 16th to the 19th century). His research interests focus on the music of the 18th and the 20th century (he collaborates with Fondazione Isabella Scelsi and Nuova Consonanza).
Simone Caputo is researcher at the Centro di Musica Antica «Pietà de’ Turchini» of Naples. He completed his PhD in music history at «Sapienza» University of Rome in 2011 (The Requiem Mass in the musical intonations from the 16th to the 19th century). His research interests focus on the music of the 18th and the 20th century (he collaborates with Fondazione Isabella Scelsi and Nuova Consonanza).
