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Studies in Medievalism XII
Studies in Medievalism XII
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A Knight's Tale
Anti-Saga
Category=ATFA
Category=DSBH
Category=JBCC1
Category=JBCT
Category=NHAH
Category=NHDJ
Catholic Church
Chaucer
Clichés
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
Films
First Knight
Historical Fiction
King Alfred
Mass-Market Films
Medieval Images
Middle Ages
Modern Movies
Neo-Saga
Normans
Political Propaganda
Saxons
Victorian Melodrama
Vikings
William Langland
Product details
- ISBN 9780859917728
- Weight: 546g
- Dimensions: 156 x 234mm
- Publication Date: 23 Jan 2003
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: GB
- Product Form: Hardback
Essays on the continuing power and applicability of medieval images, with particular reference to recent films.
The middle ages provide the material for mass-market films, for historical and fantasy fiction, for political propaganda and claims of legitimacy, and these in their turn exert a force well outside academia. The phenomenon is tooimportant to be left unscrutinised: these essays show the continuing power and applicability of medieval images - and also, it must be said, their dangerousness and often their falsity.
Of the ten essays in this volume, several examine modern movies, including the highly-successful A Knight's Tale (Chaucer as a PR agent) and the much-derided First Knight (the Round Table fights the Gulf War). Others deal with the appropriation of history and literature by a variety of interested parties: King Alfred press-ganged for the Royal Navy and the burghers of Winchester in 1901, William Langland discovered as a prophet of future Socialism, Chaucer at once venerated and tidied into New England respectability. Vikings, Normans and Saxons are claimed as forebears and disowned as losers in works as complex as Rider Haggard's Eric Brighteyes, at once neo-saga and anti-saga. Victorian melodramaprovides the clichés of "the bad baronet" who revives the droit de seigneur (but baronets are notoriously modern creations); and of the "bony grasping hand" of the Catholic Church and its canon lawyers (an image spread in ways eerily reminiscent of the modern "urban legend" in its Internet forms).
Contributors: BRUCE BRASINGTON, WILLIAM CALIN, CARL HAMMER, JONA HAMMER, PAUL HARDWICK, NICKOLAS HAYDOCK, GWENDOLYN MORGAN, JOANNE PARKER, CLARE A. SIMMONS, WILLIAM F. WOODS.
Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough.
CLARE A. SIMMONS is a Professor of English at The Ohio State University.
Studies in Medievalism XII
€92.99
