Studies in the Music of Tomás Luis de Victoria
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A01=Eugene Casjen Cramer
A01=EugeneCasjen Cramer
Author_Eugene Casjen Cramer
Author_EugeneCasjen Cramer
Bayerische Staatsbibliothek
Beatus Vir
cantus
Cantus Prius Factus
Cantus Secundus
Cappella Sistina
Category=AVLA
Category=AVSA
Clef Combination
Confitebor Tibi
Dixit Dominus
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eq_music
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factus
falsobordone structure
Gloria Patri
imitation technique
Laudate Pueri
Lectio II
liturgical composition study
Magnificat Sexti Toni
magnum
Magnum Mysterium
Manuscript Addendum
Miserere Mei
Missa Pro Defunctis
mysterium
Nisi Dominus
Nunc Dimittis
omnes
polyphonic analysis
prius
Psalm Tone
Quam Gloriosum
Renaissance sacred music
salve
Salve Regina
Spanish choral repertoire
speciosam
Te Lucis Ante Terminum
Victoria psalm settings analysis
Victoria's Works
vidi
Vidi Speciosam
vos
Vos Omnes
Product details
- ISBN 9781138275287
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 16 May 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike.
