Studies in the Printing, Publishing and Performance of Music in the 16th Century
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A01=Stanley Boorman
Angelo Gardano
Antico
Antonio Gardano
Author_Stanley Boorman
Cantate Domino
Cantus Firmus
Casale Monferrato
Category=AVLA
Category=KNTP1
De Beata Virgine
Dum Complerentur
early music manuscripts
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False Relations
Ferrarese
Follow
Giacomo Vincenti
Individual Sorts
interpreting historical music sources
liturgical music studies
Madrigals
Minor Color
Missa De Beata Virgine
Music Printers
music printing techniques
Musica Ficta
musicology research
Nomine Tuo
Outer Sheet
Red Notes
Renaissance notation
scribal practices
Skeleton Forme
Stop Press Corrections
Superimposed
Text Placing
Product details
- ISBN 9781138375697
- Weight: 700g
- Dimensions: 150 x 224mm
- Publication Date: 10 Jun 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.
Stanley Boorman is Professor in the Department of Music at New York University, USA.
