Studying Unmade, Unseen, and Unreleased Film and Television

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A01=James Fenwick
A01=Kieran Foster
archival methods
archives
Author_James Fenwick
Author_Kieran Foster
Category=ATF
Category=ATJ
Category=KNTC
creative industries
creative practice
cultural industries
development hell
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_nobargain
eq_non-fiction
film archives
film history
film studies
media industries
new film history
scriptwriting
television archives
television history
television studies

Product details

  • ISBN 9781835952474
  • Weight: 708g
  • Dimensions: 170 x 244mm
  • Publication Date: 23 Jan 2026
  • Publisher: Intellect
  • Publication City/Country: GB
  • Product Form: Hardback
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Unmade, unseen, and unreleased film and television are an overlooked phenomenon in film and media history, despite a substantial amount of the financial and labour resource of these industries being invested in projects that are never produced or distributed.

This edited collection investigates the key themes, debates, methods, and theories adopted in the study of unmade, unseen, and unreleased film and television. Each of the contributors provides a state-of-the-art overview of their particular topic, setting out the key arguments, and reflecting on relevant case studies. Setting out what is at stake in the study of unmade, unseen, and unreleased film and television, it serves as a foundational text for students and those new to this field of enquiry, as well as a key reference text for established researchers.

The collection is centred on major aspects of defining the unmade, unseen, and unreleased, exploring methods and approaches adopted by scholars working in the field and providing critical surveys of existing output. The collection surveys the scale of unmade projects and examines innovative research methods by bringing together case studies on film and television industries from across history and across the globe.

James Fenwick is Senior Lecturer in Cultural, Creative and Media Industries at the University of Manchester's Institute for Cultural Practices, and co-editor of the Historical Journal of Film, Radio and Television.

Kieran Foster is Assistant Professor in Film and Screen Studies at the University of Nottingham.

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