Stunning Males and Powerful Females

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A01=Christina Sunardi
acceptance
Age Group_Uncategorized
Age Group_Uncategorized
ambivalence
andhong
Asia
aspect
audience
Author_Christina Sunardi
automatic-update
bapang
Beskalan
Beskalan Lanang
Beskalan Putri
Beskalan sing asli
campur sari
Category1=Non-Fiction
Category=AV
Category=AVA
Category=AVLP
Chattam
choreographer
Christina Sunardi
construction
context
COP=United States
costuming
courtly culture
cultural
culture
dance
dance tradition
dancer
dangdut
Delivery_Delivery within 10-20 working days
Didik
Djupri
drumming
East Java
embodiment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
escapism
ethnographic
ethnography
female
female behavior
female body
femaleness
femininity
gamelan
gender
gender and sex
gender construction
gender ideology
gender negotiation
Gunung sari
history
ideal woman
ilmu
impact
Indonesia
interaction
interpretation
itinerant performance
Java
Javanese
juxtaposition
Kusnadi
Language_English
leadership
ludruk
magic
makeup
Malang
male
male behavior
male body
masculinity
memory
Muliono
musician
Muskayah
negotiate
negotiation
Ngremo
Ngremo Tayub
PA=Available
Padepokan Seni Mangun Dharma
pattern
performance
popular
popular music
power
preferences
Price_€20 to €50
PS=Active
relationship
role
Sekararum
Singosari
softlaunch
Soleh
spiritual knowledge
style
Sunardi
Supeno
Supriono
tradition
training
violence
violence against women
waria
women
women's

Product details

  • ISBN 9780252080593
  • Weight: 399g
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Feb 2015
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In east Javanese dance traditions like Beskalan and Ngremo, musicians and dancers negotiate gender through performances where males embody femininity and females embody masculinity.

Christina Sunardi ventures into the regency of Malang in east Java to study and perform with dancers. Through formal interviews and casual conversation, Sunardi learns about their lives and art. Her work shows how performers continually transform dance traditions to negotiate, and renegotiate, the boundaries of gender and sex--sometimes reinforcing lines of demarcation, sometimes transgressing them, and sometimes doing both simultaneously. But Sunardi's investigation moves beyond performance. It expands notions of the spiritual power associated with female bodies and feminine behavior, and the ways women, men, and waria (males who dress and live as female) access the magnetic power of femaleness.

A journey into understudied regions and ideas, Stunning Males and Powerful Females reveals how performances seemingly fixed by tradition are instead dynamic environments for cultural negotiation and change surrounding questions of sex and gender.

Christina Sunardi is an associate professor of music at the University of Washington, Seattle.

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