Style for Actors

Regular price €179.80
A01=Robert Barton
absurdism
Act Ii
Act Iv
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Ancient Greece
Author_Robert Barton
Beijing Opera
BENJAMIN FRANKLIN
Category=ATD
Category=ATDC
classical acting
classical theatre training
Commedia dell'arte practice
constructivism
costume adaptation techniques
dadaism
didacticism
elizabethan drama
Elizabethan period style
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expressionism
feminism
Follow
futurism
georgian drama
Georgian theatre
Good Ole Boy
greek drama
HENRIK IBSEN
historical drama acting techniques
Holds
impressionism
Lady Teazle
Long Sword
Men's Bows
Men’s Bows
method acting
Moliere
movement for performers
naturalism
Noel Coward
Nontraditional Casting
performance genre analysis
performative
performativity
period acting
period acting methods
period drama
Played Back
postmodernism
realism
Restoration Comedy
restoration drama
Richard III
romanticism
Sanskrit Drama
Scene Iv
Style for actors
Style Knowledge
Stylistic challenges
surrealism
Suzuki Tadash
symbolism
Vincent Van Gogh
Young Man

Product details

  • ISBN 9780367186098
  • Weight: 1040g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Style for Actors is an award-winning handbook and the definitive guide to roles in historical drama. Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make this third edition their constant companion.

The past is a foreign country, and this outstanding book is concerned with exploring it from the actor's point of view. Specific guides to each major period give readers a clear map to discover a range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. New material in this edition covers Commedia dell'arte and non-Western forms of theatre, theatrical fusion and developments in musicals and Shakespeare. The book’s references, images, resource lists and examples have all been updated to support today's diverse performers.

Robert Barton takes great care to present the actor with the roles and genres that will most commonly confront them. Containing a huge resource of nearly 150 exercises, suggestions for scene study and applications not only for theatrical performance but also for stylistic challenges in the reader’s own offstage life, this book is an invaluable resource for students and practitioners of acting and drama.

Robert Barton is the author of Acting: Onstage and Off and Acting Reframes, co-author of Voice: Onstage and Off, Movement: Onstage and Off, Theatre in Your Life and Life Themes, and editor and adaptor of The Craft of Comedy. His seminal essay "Creative Acting" appears in Creativity in Theatre. His works aim to help readers move beyond acting in theatre to use it to more effectively act their own lives.