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A01=Laura Mullen
american literature
american poetry
Author_Laura Mullen
caesura
Category=DCF
contemporary poetry
creative writing
english language
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
formal poetry
identity
individual
language
liminality
literature
modern poetry
object
objectification
poet
poetic form
poetics
poetry
poetry collection
reflection
resistance
self
selfhood
stanza
writing
Product details
- ISBN 9780520242944
- Weight: 181g
- Dimensions: 152 x 210mm
- Publication Date: 01 Apr 2005
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
Calvin Bedient calls the poetry in this volume "solid and brave and relentlessly inventive." Forrest Gander says, "The obsessive force of this poetry, ruptured by caesura and stanza, is remarkable. Despite the considerable intellectual torque, the poems, concerned always with identity, the borders of the I and the Here, are quite funny in passages. The drama of this work is gripping, convulsive, and intense." Subject holds the mirror up to language, attempting to find out (and find ways out of) the limits of the wor(l)ds we are sentenced to. The lyric impulse exists, but the surface is rough, reflecting the violence of the effort to see into seeing itself: the voice is ragged, syntax is torn, words have been broken into syllable and sound, images dissolve, the page holds out alternate visions and versions (in double or triple columns), leaving any would-be univocal truth always in doubt.
Laura Mullen teaches at Louisiana State University, Baton Rouge. Her first collection of poems, The Surface (1991), was chosen as a National Poetry Series selection; her second collection, After I Was Dead (1999), was selected for the University of Georgia Press Contemporary Poetry Series. She is also the author of The Tales of Horror (Kelsey Street Press, 1999).
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