Subject of Race in American Science Fiction

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A01=Sharon DeGraw
African American literature
African American Science Fiction
Anglo Male
Author_Sharon DeGraw
black
Black Empire
burroughs
Category=DSK
Category=FL
Caucasian Problem
Collective Racial Identity
community
Destroyer's Children
Destroyer’s Children
Early Science Fiction
edgar
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science-fiction
Farnham's Freehold
farnhams
Farnham’s Freehold
freehold
genre
genre intersectionality
Green Martians
literary subjectivity
Mars Series
Mundane Fiction
Octavia Butler
poststructuralist identity
race and gender in speculative fiction
racial identity theory
rice
Schuyler's Black
schuylers
Schuyler’s Black
Science Fiction
Science Fiction Community
science fiction criticism
Science Fiction Genre
Science Fiction Texts
star
Star Folk
Starship Troopers
Tarzan Series
Traditional Science Fiction
Western Progress
Young Men

Product details

  • ISBN 9780415979016
  • Weight: 600g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Dec 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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While the connections between science fiction and race have largely been neglected by scholars, racial identity is a key element of the subjectivity constructed in American SF. In his Mars series, Edgar Rice Burroughs primarily supported essentialist constructions of racial identity, but also included a few elements of racial egalitarianism. Writing in the 1930s, George S. Schuyler revised Burroughs' normative SF triangle of white author, white audience, and white protagonist and promoted an individualistic, highly variable concept of race instead. While both Burroughs and Schuyler wrote SF focusing on racial identity, the largely separate genres of science fiction and African American literature prevented the similarities between the two authors from being adequately acknowledged and explored. Beginning in the 1960s, Samuel R. Delany more fully joined SF and African American literature. Delany expands on Schuyler's racial constructionist approach to identity, including gender and sexuality in addition to race. Critically intertwining the genres of SF and African American literature allows a critique of the racism in the science fiction and a more accurate and positive portrayal of the scientific connections in the African American literature. Connecting the popular fiction of Burroughs, the controversial career of Schuyler, and the postmodern texts of Delany illuminates a gradual change from a stable, essentialist construction of racial identity at the turn of the century to the variable, social construction of poststructuralist subjectivity today.

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