Sublime Economy

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Abstract Art
Aesthetic Sublime
aesthetic theory
amariglio
arjo
Arjo Klamer
art
art market analysis
Ashcan School
Bloomsbury Group
capitalist critique
Category=AB
Category=JBCC
Category=KCD
Category=KCZ
Category=NH
Class Processes
classical
Classical Statue
consumption studies
cross-disciplinary economic aesthetics
cultural value
De Piles
Dense
economic sociology
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Holzer's Work
Holzer’s Work
jack
Jack Amariglio
klamer
Kurt Schwitters
Malevich's Black Square
Malevich’s Black Square
market
Merrimack
Modern Art
Non-representational Art
piles
Red Square
roger
Roger De Piles
Roger Fry
Ruskin's Political Economy
Ruskin’s Political Economy
statue
Stedelijk Museum
Sublime Economy
Vanessa Bell
Vice Versa
Vir Heroicus Sublimis

Product details

  • ISBN 9780415781213
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Apr 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of "the economy" as sublime. It might even be said that much of the emergence of a distinctly "modern" art in the West is inextricably linked to the perception of art’s own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, "sublime economy" has yet to be investigated in a purely cross-disciplinary way. Sublime Economy seeks to map this critical territory by exploring the ways diverse concepts of economy and economic value have been culturally constituted and disseminated through modern art and cultural practice.

Comprising of 14 individual essays along with an editors’ introduction, Sublime Economy draws together work from some of the leading scholars in the several fields currently exploring the intersection of economic and aesthetic practices and discourses. A pressing issue of this cross-disciplinary conversation is to discern how artists’, writers’, and cultural scholars’ constructions of distinct conceptions of economic value, as pertains to aesthetic objects as well as to more "everyday" objects and relations of mass consumption, have contributed to the ways "value" functions in and across disparate discourses. Thus this book looks at how cultural critics and theorists have put forward working notions of economic value that have regularities and effects similar to those of the "expert" conceptions and discourses about value that have been the preserve of professional economists.

Jack Amariglio is Professor of Economics at Merrimack College. Joseph W. Childers is Professor of English at the University of California, Riverside. Stephen E. Cullenberg is Professor of Economics at the University of California, Riverside.