A01=Jon Towlson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Jon Towlson
automatic-update
Category1=Non-Fiction
Category=APF
Category=ATF
Category=DS
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9780786474691
- Weight: 458g
- Dimensions: 178 x 254mm
- Publication Date: 03 Apr 2014
- Publisher: McFarland & Co Inc
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered "subversive."
Jon Towlson is a UK-based journalist and film critic. He has written for British Film Institute, Senses of Cinema, Digital Filmmaker Magazine, Starburst, Scream, The Dark Side, Starburst Magazine, Paracinema, Exquisite Terror, Irish Journal of Gothic and Horror Studies, Shadowland Magazine and Bright Lights Film Journal.
