Subversive Spirits

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A01=Robin Roberts
Author_Robin Roberts
BEING HUMAN
Beloved
BLENHEIM PALACE
Blithe Spirit
Category=JBCC1
Category=JBCT
Category=JBSF1
CLASSIC HOLLYWOOD FILM
COMEDY
CULTURAL CRITICISM
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
female agency
FEMALE AUTHORSHIP
FEMALE GHOST
FEMALE PSYCHOLOGY
FEMINISM
feminism and film
feminism and literature
feminism and television
FEMINIST PSYCHOLOGY
FILM
GENDER
gothic
GRIMM
HERITAGE SITES
heritage sites and gender
horror and gender
humor and feminism
JULIA KRISTEVA
LA
La Llorona
MARY BELENKY
MAXINE HONG KINGSTON
media exhibitions
Media Studies
MEXICAN-AMERICAN LITERATURE
MOTHERING
NATASHIA DEON
NOEL COWARD
Old State Capitol Baton Rouge
Popular Culture
protest
RACE
SARAH MORGAN
SUPERNATURAL
SUSAN HILL
TELEVISION
the maternal figure
THE OLD STATE CAPITOL
The Woman Warrior
THEATRE
theatre and feminism
TONI MORRISON
Topper
womanism
Women's Studies

Product details

  • ISBN 9781496825582
  • Weight: 270g
  • Dimensions: 152 x 228mm
  • Publication Date: 27 Jan 2020
  • Publisher: University Press of Mississippi
  • Publication City/Country: US
  • Product Form: Paperback
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The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows--the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine Subjectivity in cultural contexts.

Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles.

Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

Robin Roberts is professor of English and gender studies at the University of Arkansas. She is author of six books on gender and popular culture and coauthor of Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans, published by University Press of Mississippi.

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