A01=Priscila Uppal
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Author_Priscila Uppal
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Product details
- ISBN 9781852248604
- Weight: 291g
- Dimensions: 138 x 216mm
- Publication Date: 27 Jan 2010
- Publisher: Bloodaxe Books Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Canada’s Priscila Uppal (1974-2018) gained an international reputation for her boldly provocative poetry in just a dozen years, following the publication of her first collection, How to Draw Blood from a Stone, at the age of 23. Noted for their startling imagery, unforgettable characters and visionary lines, her poems are exact and penetrating, yet surreal and deeply moving. Drawing from the scientific to the literary, the medical to the historical, Uppal was as concerned about the inheritance of the past as she was about the tragedies of the present, making her both a witness of the terrors and inconsistencies of the past and a messenger of an incomprehensible future. Successful Tragedies includes work from six books published in Canada, including Ontological Necessities, which was shortlisted for the Griffin Poetry Prize in 2007, and her latest collection, Traumatology. In these poems she meditates over spilt milk with Freud, has sex with Christopher Columbus, issues warnings to gynaecologists, sets up shelters for virgins from Greek myths and organises a protest on Abraham’s lawn, and much more… Readers experiencing Uppal for the first time will enter a turbulent but vital landscape, discovering a poet dedicated to uncovering the motivations behind our cruelties and our compassions and determined to explore the absurdity of the world.
Priscila Uppal (1974-2018) was a Canadian poet and fiction writer of South Asian descent. Born in Ottawa in 1974, was a professor of Humanities and English at York University in Toronto. Her first UK poetry selection Successful Tragedies: Poems 1998-2010 (Bloodaxe Books, 2010) drew on six collections of poetry published in Canada: How to Draw Blood From a Stone (1998), Confessions of a Fertility Expert (1999), Pretending to Die (2001), Live Coverage (2003), Holocaust Dream (with photographs by Daniel Ehrenworth, 2005), Ontological Necessities (2006; shortlisted for the Griffin Poetry Prize) and Traumatology (2009). Her latest collection is Sabotage (Bloodaxe Books, 2015). Her other books include the novels The Divine Economy of Salvation (2002) and To Whom It May Concern (2009), and the critical study We Are What We Mourn: The Contemporary English-Canadian Elegy (2009). She also edited the multilingual Exile Book of Poetry in Translation: 20 Canadian Poets Take On the World (2009). Her work has been published internationally and translated into Croatian, Dutch, French, Greek, Italian, Korean and Latvian. She was the first-ever poet-in-residence for Canadian Athletes Now during the 2010 Vancouver and 2012 London Olympic and Paralympic Games as well as the Rogers Cup Tennis Tournament in 2011. Six Essential Questions, her first play, had its World Premiere as part of the Factory Theatre 2013-2014 season. Her memoir, Projection: Encounters with My Runaway Mother (Thomas Allen Publishers, 2013), on which the play is based, was nominated for both the Governor General’s Literary Award and the Hilary Weston Prize for Non-Fiction (the largest prize for non-fiction in Canada). During a long period of treatment for cancer she co-edited Another Dysfunctional Cancer Poem Anthology with Meaghan Strimas, published by Mansfield Press in 2018.
