A32=Lebohang Kganye
A32=Nkgopoleng Moloi
A32=Portia Malatjie
A32=Sindiwe Magona
A32=Sue Williamson
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Emma Lewis
Category1=Non-Fiction
Category=AGA
Category=AJ
Category=AJC
Category=NHH
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Price_€20 to €50
softlaunch
Product details
- ISBN 9780300269857
- Dimensions: 184 x 254mm
- Publication Date: 28 Mar 2023
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Two acclaimed South African artists offer a cross-generational dialogue on history, memory, and the power of self-narration
Three decades after the dismantling of apartheid began, South Africa’s so-called “born free” generation has reached adulthood and its artists have used their work to navigate their difficult inheritance. At the same time, the historical distance between their experience and that of an older generation grows. This book brings together two of South Africa’s most acclaimed contemporary artists to reflect upon this moment. In their respective practices, Sue Williamson (b. 1941) and Lebohang Kganye (b. 1990) incorporate oral histories into film, photographs, installations, and textiles to consider how, just as formal statements determine collective histories, so the stories our elders tell us shape family narratives and personal identities. Exploring the complexities involved in the passing down of memories, their works implicitly and explicitly address racial violence, social injustice, and intergenerational trauma. This richly illustrated catalogue features essays that consider themes of voice, testimony, ancestry, and care, and a dialogue between Kganye and Williamson that explores how art can mobilize the healing powers of conversation.
Distributed for the Barnes Foundation
(March 5–May 21, 2023)
Three decades after the dismantling of apartheid began, South Africa’s so-called “born free” generation has reached adulthood and its artists have used their work to navigate their difficult inheritance. At the same time, the historical distance between their experience and that of an older generation grows. This book brings together two of South Africa’s most acclaimed contemporary artists to reflect upon this moment. In their respective practices, Sue Williamson (b. 1941) and Lebohang Kganye (b. 1990) incorporate oral histories into film, photographs, installations, and textiles to consider how, just as formal statements determine collective histories, so the stories our elders tell us shape family narratives and personal identities. Exploring the complexities involved in the passing down of memories, their works implicitly and explicitly address racial violence, social injustice, and intergenerational trauma. This richly illustrated catalogue features essays that consider themes of voice, testimony, ancestry, and care, and a dialogue between Kganye and Williamson that explores how art can mobilize the healing powers of conversation.
Distributed for the Barnes Foundation
Exhibition Schedule:
(March 5–May 21, 2023)
Emma Lewis is assistant curator, international art, at Tate Modern, London.
