Suicide as a Dramatic Performance

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B01=David Lester
Barbara Bowman
Bijou Yang
Category1=Non-Fiction
Category=JHB
Category=JHBZ
COP=United Kingdom
cross-cultural suicide methods
cultural scripts of self-harm
David Lester
Delivery_Pre-order
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eq_nobargain
eq_non-fiction
eq_society-politics
F. Gunn John
Firearm Suicides
Golden Gate Bridge
Grand Canyon National Park
Intimate Partner Problem
Jain Religion
Jermaine Martinez
Joseph Rubenstein
Language_English
Lethal Location
methods
Motivated Guardians
Motivated Rescuer
Multivariate Logistic Regression Analysis
Natural Areas
Nonfatal Suicidal Behavior
note
NVDRS
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Price_€20 to €50
Protest Suicide
PS=Forthcoming
Psychiatric Morbidity
psychological autopsy
qualitative suicide research
rates
ritualistic self-destruction
Sacrificial Suicide
Seth B. Abrutyn
sociological perspectives on suicide behavior
softlaunch
Steven Stack
Suicidal Act
Suicidal Individual
Suicidal Person
Suicide Hot Spot
Suicide Methods
Suicide Note
suicide note analysis
Suicides Located
Traditional Sex Role Stereotype
Young Men
Yukio Mishima

Product details

  • ISBN 9781032921303
  • Weight: 520g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Each suicide is as unique as the individuals involved, especially if one examines the nature of the act and to what extent these acts can be viewed as a theatrical performance. Focusing on the dramatic aspects of suicide may seem tangential to the physical and mental pain experienced by those who try to kill themselves, but dramatic aspects often provide important clues for understanding the mental state of suicidal individuals.

David Lester and Steven Stack investigate what happens in the weeks, days and hours before a suicide when the suicidal individual must make decisions and formulate the script for his or her suicidal act. The editors argue that these choices may help us understand and prevent other suicides and stimulate new and innovative research in this important area.

Through twenty-five substantive chapters, including both quantitative and qualitative analyses, this book offers insights into suicide as a dramatic act, with chapters on the intended audience, the suicide note, the location and method chosen, and cultural scripts, including suicide-by-cop, sati, seppuku, and duels. The contributors to this volume argue that psychological, social, and cultural factors influence these choices and that the decisions made by the individual are important for understanding the mental state of the person choosing to die by suicide.