Surrealism and Animation

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20th century
3D
Afrofuturism Afrosurrealism
Andre Breton
automata
black humor
Brothers Quay
Bruce Connor
Carolee Schneemann
cartoon
Category=AGA
Category=ATFV
CGI
Chris Marker
claymation
collage
cut out
ecofeminism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eric Duvivier
fantasy film
Film studies
Harry Smith
Hayao Miyazaki
Jacolby Satterwhite
Jan Lenica
Jean Desvilles
Jean Giraud (Moebius)
Jeff Keen
motion capture
Norman McLaren
Norman Rubington
Pat O'Neill
Pat O’Neill
Penny Slinger
photo animations
pre-cinematic
puppet animation
queer subjectivities
Rene Laloux
Sidney Peterson
Stan Brakhage
stop motion
Suzan Pitt
time-lapse
Val del Omar
VR
Yoji Kuri
zoetrope

Product details

  • ISBN 9781350475915
  • Weight: 996g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Jun 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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From Betty Boop to Donald Duck, Tex Avery to Walt Disney, collage animation to Japanese anime, and Claymation to 3D animation, Surrealism and Animation is the first book to identify correspondences between the art of animation and the International Surrealist Movement.

Sharing a deep commitment to a reanimation of everyday life, surrealist artists and animators sought a marvellous, living form of art. Cartoons and trick films by pioneers such as Georges Méliès were influential for Salvador Dalí and André Breton, among others; many other surrealists and their associates such as Max Ernst, Joseph Cornell, Hans Richter, Len Lye, Roland Topor, Jan Švankmajer, and Lawrence Jordan turned to animated cinema and theories of animacy to express their surrealist visions.

Surrealism and Animation is the first book devoted to surrealism’s vivid engagement with the history, theory, and medium of animation on a transnational basis. Featuring seventeen essays by leading and emerging scholars, as well as interviews with contemporary artists Penny Slinger and Jacolby Satterwhite, this collection investigates a shimmering range of topics on animated surrealism, including black humour, queer subjectivities, ecofeminism, Black surrealisms, and more.

Abigail Susik is Associate Professor of Art History at Willamette University, USA, and joint editor of the Transnational Surrealism series. She has published several books on surrealism, including Surrealist Sabotage and The War on Work (2021).