Surveillance in Asian Cinema

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Asia Pictures
Asian Cinema
Asian political cinema
Asian studies
Asian Surveillance
authoritarianism studies
Casta Diva
Category=ATF
Category=GTU
Category=JPV
Catherine Liu
Chen Ruoxi
Chinese Animation
cinematic representations of state surveillance
Cold Eyes
Cold War propaganda
Colonial Administration
Daisy Yan Du
digital surveillance
Duy Lap Nguyen
east-west
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
film theory
geopolitics
global media
Haerin Shin
Korean Cinema
Kristof Van den Troost
Kyung Hyun Kim
Left Wing Film
Leftist Film
Live Action Feature Films
Local Box Office
Man-Fung Yip
media hegemony
militarization
Nationalist Government
Orphan Island
Participatory Surveillance
Peppermint Candy
politics
Pop Stars
Public Security Officers
Renren Yang
Shanghai Animation Film Studio
Shaw Brothers
Sonic Secrets
South Vietnamese
technology
Timmy Chen Chih-ting
Tony Day
White Chick
Xiaoning Lu
Young Man

Product details

  • ISBN 9781138125148
  • Weight: 544g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Mar 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Critical theory and popular wisdom are rife with images of surveillance as an intrusive, repressive practice often suggestively attributed to eastern powers and opposed to western liberalism. Hollywood-dominated global media has long promulgated a geopoliticized east-west axis of freedom vs. control. This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and—more specifically—probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring recent and historical movies made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns implicitly underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and western liberalism.

Karen Fang is Associate Professor at the Department of English at the University of Houston, USA, where she teaches literature and film studies. Her previous publications include Arresting Cinema: Surveillance in Hong Kong Film (2017) and John Woo’s A Better Tomorrow (2004).