Swedish Jazz in the United States

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
1950s
A01=Mischa van Kan
African American Jazz Musicians
American Jazz
American Jazz Musicians
American reception of Scandinavian jazz
American Record Companies
Author_Mischa van Kan
Baritone Saxophone
Blindfold Test
Category=AVLP
Cool Jazz
cultural exchange research
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
gender in musicology
international record industry
James Moody
jazz
Jazz Critics
Jazz Magazine
Jazz Musicians
Jazz Records
jazz studies
Jazz World
Leonard Feather
Liner Notes
Modern Jazz
Norman Granz
OJ
Onion Domes
postwar music history
race and ethnicity in jazz
Sweden
Swedish Folk
Swedish Folk Music
Swedish Jazz
Swedish Modern
Swedish Musicians
Swedish-American
transnational
transnational jazz studies
United States

Product details

  • ISBN 9780367421687
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Swedish Jazz in the United States: Swede and Cool traces and analyzes the dissemination and reception of jazz from Sweden in the United States during the period of 1947-1963. It maps the networks through which Swedish record companies exchanged recordings with their American counterparts, establishing an American interest in Swedish jazz at a time long regarded as a predominantly American era. Exploring these Swedish-American exchanges—rather than the canonized names in jazz—shines a light on new perspectives in the genre, clarifying the ways in which Swedish jazz was adapted to the American market and how it was understood in an American context. The result is an opportunity to consider the challenges national borders present in a global jazz world while reflecting on the genre’s expanding transnational reach during the 1950s.

Mischa van Kan is Senior Lecturer in Musicology at Linnaeus University, Sweden.

More from this author