Swinging the Vernacular

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A01=Michael Borshuk
African American Literary Studies
African American literature
African American Vernacular Culture
African Americans
American Trilogy
Author_Michael Borshuk
Bebop Musicians
Black aesthetics criticism
Black Arts Movement
Category=DSB
Coltrane's Music
Coltrane’s Music
cultural memory theory
Earlier Jazz Styles
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fast Lane
Father's Church
Father’s Church
Flying Home
Fore Noon
Free Jazz
Gold Fish
Harlem Renaissance
Harper's Poetry
Harper's Work
Harper’s Poetry
Harper’s Work
intertextual analysis
Invisible Man
jazz and literary modernism research
Jazz Improvisation
jazz influence literature
Light Skinned Black Women
Love Supreme
modernism studies
Ornette Coleman's Free Jazz
Ornette Coleman’s Free Jazz
Tall Blond Man
Weary Blues
Young Man

Product details

  • ISBN 9780415974479
  • Weight: 650g
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Oct 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book looks at the influence of jazz on the development of African American modernist literature over the 20th century, with a particular attention to the social and aesthetic significance of stylistic changes in the music.

Michael Borshuk is Assistant Professor of African American literature in the department of English at Texas Tech University. He has published book chapters and critical articles on Josephine Baker, Langston Hughes, Ralph Ellison, William Carlos Williams and Mina Loy. He also writes on jazz regularly for Coda Magazine.

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