Synopsis of Vocal Musick by A.B. Philo-Mus.
Regular price
€112.99
A.B. Philo-Mus
Bass
Breve
Cantus Primus
Cantus Secundus
Category=AVLA
Comma
Common Time
D. Guilielmo
early British music theory development
English madrigal analysis
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Equivalent Notes
F Clefs
Fa
Follow
Greater Tone
Happy Art Thou
Il Felice
Merry Month
Middle Sound
Music Concordance
music theory pedagogy
Original Notation
Pauses
Plain Song
PP
Restoration era music
sacred and secular vocal forms
seventeenth century notation
Sharp
tempo terminology
Text Concordance
TRiple Time
Usual TUNES
Vocal Melodies
Product details
- ISBN 9780754635055
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 28 Oct 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.
Rebecca Herissone is Lecturer in Musicology in the School of Arts, Histories and Cultures at the University of Manchester, UK.
