Systemic Bias

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algorithmic fairness research
Algorithms
Bias
Canada United States Free Trade Agreement
Category=JHB
Category=UBL
computational social science
Consumed Diversity
cultural data analysis
Cultural Exceptionalism
Cultural Platforms
Cultural Policies
Data
digital humanities
Discrimination
EDL
epistemological frameworks
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
EU Discussion
Francophone Institutions
Magic Metaphor
Mathematical Magic
MFQ
multidisciplinary algorithmic bias studies
Neoliberal Structures
North American Free Trade Agreement
OIF
Personal Construct Theory
Predictive Policing
Programming Languages
Racism
Recommendation Systems
Remote Proctoring
Sexism
Tarot Reading
Tech Culture
UK Government Agency
UN
Via
Vice Versa
workplace psychometrics

Product details

  • ISBN 9781032002552
  • Weight: 240g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Systemic Bias: Algorithms and Society looks at issues of computational bias in the contexts of cultural works, metaphors of magic and mathematics in tech culture, and workplace psychometrics.

The output of computational models is directly tied not only to their inputs but to the relationships and assumptions embedded in their model design, many of which are of a social and cultural, rather than physical and mathematical, nature. How do human biases make their way into these data models, and what new strategies have been proposed to overcome bias in computed products?

Scholars and students from many backgrounds, as well as policy makers, journalists, and the general reading public will find a multidisciplinary approach to inquiry into algorithmic bias encompassing research from Communication, Art, and New Media.

Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer-mediated communications, audiovisual production, new media art, and creative writing. His research develops new multimodal display technologies and forms, exploring novel form factors across different application contexts including gaming, immersive exhibitions, and simulations.