Tadeusz Kantor

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A01=Noel Witts
Artists Die
Author_Noel Witts
avant-garde performance
Biography
Category=AFKP
Category=ATDF
Context
Dainty Shapes
Dead Class
Dead Man
DVD Version
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European theatre innovation
Exercises
experimental stagecraft
Home Town
Kantor
Kantor's Death
Kantor's Performances
Kantor's Practice
Kantor's Work
Kantor’s Death
Kantor’s Performances
Kantor’s Practice
Kantor’s Work
Krakow
Krzysztof Miklaszewski
Legacy
Live Actor
Major UK
mannequin theatre techniques
Noel
performance theory analysis
Performances
Present Visual Images
Rose Bruford
Rose Bruford College
Stanislaw Wyspianski
Stary Theatre
Straight Line
Tadeusz
Theatre National De Chaillot
Twentieth Century Theatre Practice
UK Mainstream
UK Writer
visual dramaturgy
visual theatre methodologies for researchers
Witold Gombrowicz
Witts
Writings

Product details

  • ISBN 9780815364139
  • Weight: 500g
  • Dimensions: 129 x 198mm
  • Publication Date: 29 Aug 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Tadeusz Kantor – a theoretician, director, innovator and painter famed for his very visual theatre style – was a key figure in European avant-garde theatre. He was also known for his challenging theatrical innovations, such as extending stages and the combination of mannequins with living actors. The book combines:

  • a detailed study of the historical context of Kantor’s work
  • an exploration of Kantor’s own writings on his theatrical craft
  • a stylistic analysis of the key works, including The Dead Class and Let the Artists Die, and their critical reception
  • an examination of the practical exercises devised by Kantor.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

Noel Witts is Emeritus Professor of Performing Arts at Leeds Beckett University and a Professorial Fellow of Liverpool Hope University. He is co-author (with Mike Huxley) of The Twentieth Century Performance Reader, published by Routledge.

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