Taiwan Cinema

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Age Group_Uncategorized
Andy Willis
Arthouse Cinema
automatic-update
B01=Gary Rawnsley
B01=Kuei-fen Chiu
B01=Ming-yeh Rawnsley
Brian Hu
Category1=Non-Fiction
Category=APF
Category=ATF
Category=GTM
Category=JBCT
Category=JFD
Category=NH
Cecilia Mello
Central Motion Picture
Chialan Sharon Wang
Chinese Language Films
Chris Berry
Cinematographic Archive
contemporary Taiwanese cinema research
COP=United Kingdom
cultural diplomacy
Darryl Sterk
Delivery_Pre-order
East Asian film studies
Elena Pollacchi
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Felicia Chan
Film Festival
film festival analysis
Gary D. Rawnsley
Golden Horse Awards
Hou's Films
Hou's Work
Hou’s Films
Hou’s Work
indigenous representation
International Film Festival Circuit
Japanese Colonial Era
Language_English
Ming-yeh T. Rawnsley
PA=Temporarily unavailable
Ping-hui Liao
postcolonial narratives
Price_€100 and above
PS=Active
Ran Ma
Robert A. Rosenstone
Roc
Sheng Mei Ma
softlaunch
Taiwan Cinema
Taiwan Xin Dianying
Taiwan's Colonial Past
Taiwanese Films
Taiwan’s Colonial Past
transnational authorship
UK Audience
UK Distribution
UK Film
UK Premiere
Umin Boya
Valentina Vitali
Venice Film Festival
wei
Wei Te Sheng
Wushe Incident
Young Men
Yu-lin Lee

Product details

  • ISBN 9781138668164
  • Weight: 498g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

Kuei-fen Chiu is Professor of Taiwan Literature and Transnational Cultural Studies at National Chung Hsing University, Taiwan.

Ming-yeh T. Rawnsley is a Research Associate in the Centre of Taiwan Studies at the School of Oriental and African Studies, University of London, UK.

Gary Rawnsley is Professor of Public Diplomacy in the Department of International Politics at Aberystwyth University, UK.