Taking Back the Boulevard

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A01=Jan Lin
accumulation by dispossession
affordable housing
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anti-gentrification protest
Arroyo Arts Collective
Arroyo Culture
Arts and Crafts movement
arts entrepreneurs
Author_Jan Lin
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Autry National Center of the West
bicycle culture
Boyle Heights
Category1=Non-Fiction
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Category=JFCA
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COP=United States
creative economy
cultural policy
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displacement
displacement and eviction
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ethnic transition
eviction
Friends of the Southwest Museum Coalition
gentrification
Highland Park Overlay Zone
hipster
historic preservation
homelessness
immigrants
LA mayor’s Great Streets
land-use planning
Language_English
Latin American and Asian immigrants
Latino
Latino arts renaissance
Latino experience
Los Angeles
Lummis Day Festival
neighborhood activism
neighborhood revitalization
Northeast LA Alliance
Northeast LA art scene
outer suburbs
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preservation
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regional transit policy
rehabilitating gang members
revitalization
right to the city
slow growth
smart growth
social trauma
softlaunch
stage model of gentrification
streetcar suburbs
taco truck
Take Back the Boulevard
tenants rights
the Eagle

Product details

  • ISBN 9781479809806
  • Weight: 544g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jan 2019
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The promises and conflicts faced by public figures, artists, and leaders of Northeast Los Angeles as they enliven and defend their neighborhoods
Los Angeles is well known as a sprawling metropolis with endless freeways that can make the city feel isolating and separate its communities. Yet in the past decade, as Jan Lin argues in Taking Back the Boulevard, there has been a noticeable renewal of public life on several of the city’s iconic boulevards, including Atlantic, Crenshaw, Lankershim, Sunset, Western, and Wilshire. These arteries connect neighborhoods across the city, traverse socioeconomic divides and ethnic enclaves, and can be understood as the true locational heart of public life in the metropolis.
Focusing especially on the cultural scene of Northeast Los Angeles, Lin shows how these gentrifying communities help satisfy a white middle-class consumer demand for authentic experiences of “living on the edge” and a spirit of cultural rebellion. These neighborhoods have gone through several stages, from streetcar suburbs, to disinvested neighborhoods with the construction of freeways and white flight, to immigrant enclaves, to the home of Chicano/a artists in the 1970s. Those artists were then followed by non-Chicano/a, white artists, who were later threatened with displacement by gentrifiers attracted by the neighborhoods’ culture, street life, and green amenities that earlier inhabitants had worked to create. Lin argues that gentrification is not a single transition, but a series of changes that disinvest and re-invest neighborhoods with financial and cultural capital.
Drawing on community survey research, interviews with community residents and leaders, and ethnographic observation, this book argues that the revitalization in Northeast LA by arts leaders and neighborhood activists marks a departure in the political culture from the older civic engagement to more socially progressive coalition work involving preservationists, environmentalists, citizen protestors, and arts organizers. Finally, Lin explores how accelerated gentrification and mass displacement of Latino/a and working-class households in the 2010s has sparked new rounds of activism as the community grapples with new class conflicts and racial divides in the struggle to self-determine its future.

Jan Lin is Professor of Sociology at Occidental College. He is the author of The Power of Urban Ethnic Places: Cultural Heritage and Community Life and co-editor of The Urban Sociology Reader.

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