Talking Cure

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A01=Jane M. Shattuc
ABC Affiliate
audience reception theory
Author_Jane M. Shattuc
Black Intellectuals
Bourgeois Public Sphere
Category=ATJ
Category=JBCC
Category=JBSF1
Category=KNTC
Celebrity Talk Shows
Columbia TriStar
Counter Public Sphere
cultural criticism
Daytime Talk Shows
Empower America
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist media analysis
feminist television talk show research
Feminist Therapy
gender and television
King World
Maury Povich
media studies
Oprah Winfrey Show
public discourse analysis
Public Sphere Debate
Ricki Lake
Social Representativeness
Studio Audience
Syndication Companies
Talk Show Viewers
Talk Shows
Tv Genre
Tv Industry
Tv Market
Tv Talk Show
Women Demographics
Young Men

Product details

  • ISBN 9780415910880
  • Weight: 470g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Jan 1997
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Talking Cure examines four nationally syndicated television talk shows--Donahue, The Oprah Winfrey Show,Geraldo and Sally Jessy Raphael--which are primarily devoted to feminine culture and issues. Serving as one of the few public forums where working-class women and those with different sexual orientations have a voice, these talk shows represent American TV at its most radical. Shattuc examines the tension between talk's feminist politics and the television industry, who, in their need to appeal to women, trades on sensation, stereotypes and fears in order to engender product consumption. However, this genre is not a one-way form of social interaction. The female audience complies and resists in a complex give-and-take, and it is this relationship which TheTalking Cure aims to understand and reveal.

Jane M. Shattuc is Associate Professor of Mass Communication-Film at Emerson College, Boston. She is the author of Television, Tabloids and Tears: Fassbinder andPopular Culture.

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