Tarantinian Ethics

Regular price €223.20
A01=Fred Botting
A01=Scott Wilson
Author_Fred Botting
Author_Scott Wilson
Category=ATFB
Category=JBCC
Category=JHBA
Cultural Theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film & Cinema

Product details

  • ISBN 9780761968375
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Feb 2001
  • Publisher: SAGE Publications Inc
  • Publication City/Country: US
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

The screenplays and films of Quentin Tarantino raise profound comic and ethical dilemmas. Developing ideas from Lacanian psychoanalysis, Botting and Wilson explore ethical issues in relation to Tarantino′s work, postmodernity and recent cultural theory. They argue that Tarantino′s texts provide a provocative and telling contribution to theorized accounts of contemporary culture.

The term ′Tarantinian′ has been coined to refer to a set of sampled, self-authorizing signs that are cinematically assembled in processes of ′consuming - producing - expending′ in the general context of a postmodern capitalism that enjoins excess. The Tarantinian ethics are elaborated, in the midst of a homogenized fast-food, movie and video culture, in relation to heterogeneous events of violence, horror and laughter.

Witty and incisive, the book illuminates and interrogates contemporary structures of identity, desire and consumption. It will be of great interest to students of cultural studies, social theory and communication.

Fred Botting has taught English Literature, Critical Theory, Film and Cultural Studies at the Universities of Lancaster, Keele and Cardiff. He has written extensively on Gothic fictions, and on theory, film and cultural forms. His current research projects include work on fiction and film dealing with figures of horror - zombies in particular - and on spectrality, the uncanny and sexuality.