Tastemakers, Collectors, and Patrons

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American art
American colonial portraiture
American School
Art advisers
Art Collecting
Art dealers
Art market
Art patronage
Artist advisers
automatic-update
B01=Linda S. Ferber
B01=Margaret R. Laster
Category1=Non-Fiction
Category=AB
Category=ACV
Category=AGA
Collecting art
COP=United States
Corcoran Art Gallery
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Jr.
Language_English
Long Nineteenth Century
Luman Reed
Mary Barker Reed
Museum history of collecting
New-York Gallery of the Fine Arts
Nineteenth Century
PA=Available
Philanthropy
Price_€50 to €100
Private collectors
Private collectors of American art
PS=Active
Robert Gilmor
softlaunch
Subscribers
The American Art-Union
U.S. museums and arts of the United States
William Wilson Corcoran

Product details

  • ISBN 9780271095240
  • Weight: 1247g
  • Dimensions: 203 x 254mm
  • Publication Date: 23 Jan 2024
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Tastemakers, Collectors, and Patrons explores the dynamic landscape of American art collecting in the United States from the late eighteenth through the early twentieth centuries. The geographic range of collecting histories presented in this publication spans the country, including the Eastern Seaboard, the Old South, the Midwest, and the West Coast.

In this volume, the contributing scholars investigate individual collectors and collectives whose missions to create regional and national collecting communities in the United States encouraged civic philanthropy in the fine arts. Key themes—such as the creation of an “American” school distinct from, yet rooted in, European tradition as well as the trials of forming publicly supported museums—reverberate throughout the publication. Essays examine early patrons, collectors, and museum founders; the impact of sectionalism, the Civil War, and reform on American collecting efforts; and the innovative and entrepreneurial spirit of artists, collectors, and dealers at the turn of the century and beyond. Each section foregrounds different issues, underscoring the complexity of the historical, cultural, and political environments in which collections of American art were formed. Together, the volume traces the evolving taste and market for American art in the United States.

In addition to the editors, the contributors include Lynne D. Ambrosini, Sarah Cash, Samantha Deutch, Julie McGinnis Flanagan, Ilene Susan Fort, Barbara Dayer Gallati, Lance Humphries, Elizabeth Mankin Kornhauser, Sophie Lynford, Kimberly Orcutt, and Richard Saunders.

Linda S. Ferber is Senior Art Historian and Museum Director Emerita at the New-York Historical Society. In 2017, she received The Olana Partnership’s Frederic Church Award.

Margaret R. Laster is an independent scholar of American art. She previously served as Associate Curator of American Art at the New-York Historical Society and Lunder Consortium Fellow for Whistler Studies at the Freer Gallery of Art.