Teaching Canonic Opera and Musical Theater with Intention

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A01=Catherine Coppola
A01=Elizabeth A. Wells
addressing bias in classical works
Author_Catherine Coppola
Author_Elizabeth A. Wells
canon
canonicity
Category=AVLA
Category=AVLF
Category=AVLM
class
classical music
colonialism
critical repertoire studies
curriculum development music
eq_art-fashion-photography
eq_bestseller
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eq_music
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eq_nobargain
eq_non-fiction
gender
intersectional pedagogy
libretto analysis
Music appreciation
Music history
Music pedagogy
Musical theater
Musical theatre
Musicology
Opera
pedagogy
performance context
race
religion
sociocultural critique
teaching

Product details

  • ISBN 9781032774220
  • Weight: 280g
  • Dimensions: 138 x 216mm
  • Publication Date: 04 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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For many instructors today, teaching canonical dramatic repertoire can be a fraught proposition: from Don Giovanni to South Pacific, key works in the history of opera and musical theater present challenges related to gender, race, colonialism, class, and more. Teaching Canonic Opera and Musical Theater with Intention: A Teacher's Guide offers instructors a toolkit with which to productively confront the canon, directly engaging in the difficult conversations this repertoire can prompt. Informed by evidence from contemporary and historical context, librettos, and production history, instructors will be able to confidently help students consider best practices for the future.

This book presents 15 case studies of exemplars from the opera and musical theater canon, which showcase a close study of the music and text in service of addressing the most provocative aspects. With nuanced explorations of each work, the authors offer a variety of pathways to draw connections between their content and the present day. Teaching Canonic Opera and Musical Theater with Intention is a vital resource for college-level music history and appreciation instructors that will enable them to teach canonic repertoire as part of contemporary curricula, and to help students engage critically with these works, their historical impact, and ongoing relevance.

Catherine Coppola is Chair of the Thomas Hunter Honors Program and Lecturer in Musicology at Hunter College of the City University of New York.

Elizabeth A. Wells is Professor of Music History and Musicology at Mount Allison University.

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