Teaching Critical Performance Theory

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Afro Latinidad
applied theatre methods
Asian American
Asian American Performance
Asian American Playwrights
Asian American Studies
Asian American Theatre
Category=AFKP
Category=ATD
Category=JNA
Category=JNMT
classroom teaching
Clips
Clybourne Park
Collard Greens
course design
critical performance theory
Curious Incident
disability inclusion in theatre
dramaturgical analysis
ecodramaturgy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist approaches
Follow
inclusive theatre pedagogy strategies
Munoz
Musical Theatre History
Narrative Prosthesis
Oregon Shakespeare Festival
Penn State
Pennsylvania State University
performance pedagogy
Performance Studies Classrooms
Personas
race and identity studies
Situated Cognition
Spring Awakening
UK Site
West Side Story
White America
Young Men

Product details

  • ISBN 9780367409296
  • Weight: 640g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Teaching Critical Performance Theory offers teaching strategies for professors and artist-scholars across performance, design and technology, and theatre studies disciplines.

The book’s seventeen chapters collectively ask: What use is theory to an emerging theatre artist or scholar? Which theories should be taught, and to whom? How can theory pedagogies shape and respond to the evolving needs of the academy, the field, and the community? This broad field of enquiry is divided into four sections covering course design, classroom teaching, the studio space, and applied theatre contexts. Through a range of intriguing case studies that encourage thoughtful theatre practice, this book explores themes surrounding situated learning, dramaturgy and technology, disability and inclusivity, feminist approaches, race and performance, ethics, and critical theory in theatre history.

Written as an invaluable resource for professionals and postgraduates engaged in performance theory, this collection of informative essays will also provide critical reading for those interested in drama and theatre studies more broadly.

Jeanmarie Higgins is an Associate Professor in the School of Theatre at the Pennsylvania State University, University Park, USA.