Teaching Music Production

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A01=Doug Bielmeier
AI
Author_Doug Bielmeier
Category=AVX
Category=KNTF
Category=UYU
curriculum development
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forthcoming
mixing
music education
music production
pedagogy
recording
technology

Product details

  • ISBN 9781041091578
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Oct 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Teaching Music Production: An Evidence-Based Approach offers a practical and accessible guide for effective music production teaching and learning in today’s rapidly evolving creative and technological landscape.


The monograph draws from contemporary educational research, professional studio practice, and real-world classroom experience, and explores how students learn the artistic, technical, and collaborative skills required in modern music production environments. Also, deeper questions of how educators can design meaningful learning experiences are explored to enable students to become creative, adaptable, and reflective sound engineers. Topics include course design, studio and classroom environments, assessment and feedback, critical listening, collaborative production projects, digital audio workstation (DAW) instruction, remote recording workflows, and the emerging role of artificial intelligence in music creation and education.

Written for teachers, graduate students, administrators, and industry professionals alike, this text bridges the gap between educational theory and day-to-day teaching practice. Complex instructional ideas are explained in clear, approachable language and connected directly to authentic studio activities and production-based learning. Throughout the text, readers are provided with practical examples, project models, rubrics, and evidence-informed teaching strategies that can be adapted across a variety of educational settings.

Dr. Doug Bielmeier is a Teaching Professor at Northeastern University’s College of Arts, Media, and Design, where he coordinates the Music Production minor. His scholarship focuses on music production pedagogy, including AES, MEIEA, and JARP publications, alongside ongoing work on Teaching Music Production: An Evidence-Based Approach.

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