AFI Film Readers
Andrea Segre
BiH
border studies classroom
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Cinematic Transnationalism
contemporary film
critical cosmopolitanism
Danai Jekesai Gurira
English Language Teaching Department
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feminist film theory
film studies
film studies pedagogy
film theory
global cinema education
global media
Ignorant Schoolmaster
international cinema
Jet Programme
Macau Grand Prix
migration and identity
Ne Da
Performative Model
Pink Man
Sexual Citizenship
Sleep Dealer
Slumdog Millionaire
Szabolcs Hajdu
teaching film
teaching immigrant narratives through film
Teaching Transnational Cinema
Transnational Cinema
Transnational Documentaries
Transnational Feminism
Transnational Feminist
Transnational Gaze
UK Film
Vice Versa
world cinema
Young Man
Product details
- ISBN 9781138059320
- Weight: 453g
- Dimensions: 152 x 229mm
- Publication Date: 14 Mar 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This collection of essays offers a pioneering analysis of the political and conceptual complexities of teaching transnational cinema in university classrooms around the world. In their exploration of a wide range of films from different national and regional contexts, contributors reflect on the practical and pedagogical challenges of teaching about immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, terrorism, border politics, legality and race. Probing the value of cinema in interdisciplinary academic study and the changing strategies and philosophies of teaching in the university, this volume positions itself at the cutting edge of transnational film studies.
Katarzyna Marciniak is Professor of Transnational Studies in the English Department at Ohio University, USA. She is the author of Alienhood: Citizenship, Exile, and the Logic of Difference, Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland, co-editor of Transnational Feminism in Film and Media and, with Imogen Tyler, Immigrant Protest: Politics, Aesthetics, and Everyday Dissent.
Bruce Bennett is Senior Lecturer in Film Studies at the Lancaster Institute for the Contemporary Arts at Lancaster University, UK. He is the author of The Cinema of Michael Winterbottom: Borders, Intimacy, Terror and co-editor of Cinema and Technology: Cultures, Theories, Practices.
