Techniques of Illusion

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19th Century
A01=Katharina Rein
Adelaide Gallery
Author_Katharina Rein
Black Art Theatre
Category=AB
Category=AFKP
Category=AGA
Category=ATD
Category=JBCT
Category=QRA
Category=QRYC
Category=QRYX2
Cinematic Special Effects
cultural history of stage magic
Daniel Dunglas Home
Danse Macabre
Donner Party
Egyptian Hall
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
golden age
Hathi Trust
Horror Movie
illusion
illusion techniques
Magic Lantern Projection
mentalism research
Mirror Illusions
Nevil Maskelyne
Nikola Tesla
nineteenth-century entertainment
Passenger Lift
Pepper's Ghost
Pepper’s Ghost
performance
Performance Magic
performance studies
phantasmagoria analysis
Royal Polytechnic Institution
Stage Illusions
teleportation
theatre
Top Secret
United States Intelligence Agency
Vanishing Lady
visual media history
Young Man

Product details

  • ISBN 9781032220796
  • Weight: 780g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Aug 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores stage conjuring during its “golden age,” from about 1860 to 1910.

This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “golden age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost,” the archetypical mirror illusion; “The Vanishing Lady,” staging a teleportation in a time of a dizzying acceleration of transport; “the levitation,” simulating weightlessness with the help of an extended steel machinery; and “The Second Sight,” a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000.

This exploration will be of great interest to students and scholars in theatre and performance studies.

Katharina Rein currently works as a Lecturer in European Media Studies at the University of Potsdam, Germany.

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