Techno-Ecologies of Bill Viola and Gilbert Simondon
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A01=Elena del Rio
A01=Elena del Ro
affect
Author_Elena del Rio
Author_Elena del Ro
Bill Viola
Category=AFKV
Category=QDTN
Category=QDTS
ecology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
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eq_nobargain
eq_non-fiction
form
Gilbert Simondon
more-than-human ecologies
nature continuum
ontogenesis
politics of affect
politics of nature
process philosophy
speculative pragmatism
technology
Product details
- ISBN 9781399554770
- Dimensions: 156 x 234mm
- Publication Date: 30 Nov 2025
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
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Both Viola and Simondon prioritise a techno-aesthetic experience that reveals a consistent pattern of interdependence between form and matter, nature and culture, human and nonhuman. Inspired by Simondon's ideas on individuation as process, and by other major figures of process philosophy such as Raymond Ruyer, Deleuze and Guattari, and Brian Massumi, Elena del Rio delves deep into Viola's art and finds a politics of nature that is also a politics of the affects. In taking full account of the interrelation between collective affects and living milieus, this politics exceeds the still anthropocentric project of a politics reductively focused on environmental degradation.
The book works with a broad concept of ecology that encompasses a nature-culture continuum - from Simondon's associated milieu to Guattari's tripartite ecological praxis, from Deleuze and Guattari's existential territories to Massumi's affective events. Attending to this nature-culture continuum and activating our collective energies are prime strategies in tackling the overwhelming psycho-social and environmental crises we face.
Elena del Río is Professor Emerita of Film Studies at the University of Alberta, Canada. Her essays on the intersections between cinema and philosophies of the body in the areas of technology, performance, and affect have been featured in journals such as Alphaville, Angelaki, Camera Obscura, Canadian Journal of Film Studies, Deleuze Studies, Discourse, Film-Philosophy, Image and Narrative, Necsus, The New Review of Film and Television Studies, Quarterly Review of Film and Video, Science Fiction Studies, Studies in French Cinema, and SubStance. She has also contributed to numerous edited volumes on the films of Atom Egoyan, Michael Haneke, and Rainer Fassbinder, and on topics such as Asian exploitation film, cinema and cruelty, the philosophy of film and new media, film noir, film phenomenologies, and Deleuze and cinema. She is the author of The Grace of Destruction: A Vital Ethology of Extreme Cinemas (Bloomsbury, 2016) and Deleuze and the Cinemas of Performance: Powers of Affection (Edinburgh University Press, 2008).
