Technology and the Stylistic Evolution of the Jazz Bass

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A01=Peter Dowdall
Acoustic Bass
Acoustic Recording
Author_Peter Dowdall
Bass
Bass Instrument
Bass Line
Bass Part
Bass Players
bassist
Bitches Brew
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digital audio production
Electric Bass
electric bass history
Electric Bass Players
Electric Bassist
Electrical Recording
electrification
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Fender Bass
fusion genre evolution
Jaco Pastorius
Jazz Artists
jazz bass
Jazz Bass Player
Jazz Bassist
Jazz Ensemble
Jazz Instrument
multi-track recording
music technology
Playback
Pro Tools
Recording Studios
recording techniques in jazz
rhythm
Rhythm Section
rhythm section analysis
String Bass
String Bass Player
technological impact on jazz performance
technology

Product details

  • ISBN 9780367231873
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Technology and the Stylistic Evolution of the Jazz Bass traces the stylistic evolution of jazz from the bass player’s perspective. Historical works to date have tended to pursue a ‘top down’ reading, one that emphasizes the influence of the treble instruments on the melodic and harmonic trajectory of jazz. This book augments that reading by examining the music’s development from the bottom up. It re-contextualizes the bass and its role in the evolution of jazz (and by extension popular music in general) by situating it alongside emerging music technologies. The bass and its technological mediation are shown to have driven changes in jazz language and musical style, and even transformed creative hierarchies in ways that have been largely overlooked. The book’s narrative is also informed by investigations into more commercial musical styles such as blues and rock, in order to assess how, and the degree to which, technological advances first deployed in these areas gradually became incorporated into general jazz praxis. Technology and the Jazz Bass reconciles technology more thoroughly into jazz historiography by detailing and evaluating those that are intrinsic to the instrument (including its eventual electrification) and those extrinsic to it (most notably evolving recording and digital technologies). The author illustrates how the implementation of these technologies has transformed the role of the bass in jazz, and with that, jazz music as an art form.

Peter Dowdall is a former New York City bassist and recording engineer and is currently teaching at the University of Adelaide, Elder Conservatorium of Music.

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