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A01=Cynthia J. Beeman
A01=Nancy Baker Jones
A01=Teresa Palomo Acosta
Age Group_Uncategorized
Age Group_Uncategorized
Author_Cynthia J. Beeman
Author_Nancy Baker Jones
Author_Teresa Palomo Acosta
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Category1=Non-Fiction
Category=DC
Category=DNT
Category=DQ
Category=DSC
Category=DSG
Chicana literature
children's literature
COP=United States
Delivery_Delivery within 10-20 working days
drama
eq_anthologies-novellas-short-stories
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
essays
feminism
Language_English
Latina literature
Mexican-American literature
PA=Available
poetry
Price_€20 to €50
PS=Active
softlaunch
tejana artist
Tejana literature
tejana writer
Texas literature
women's history

Product details

  • ISBN 9781623499884
  • Weight: 418g
  • Dimensions: 154 x 231mm
  • Publication Date: 21 Dec 2021
  • Publisher: Texas A & M University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This collection by Teresa Palomo Acosta—poet, historian, author, and activist—spans three decades of her writing, from 1988 through 2018. The collection is divided into four parts: poems, essays, a children’s story, and plays. Each work addresses cultural, historical, political, and gender realities that she experienced from her childhood to the present.

The plays, set in the Central Texas Blackland Prairies where Acosta was raised, provide a unique Latina vision of memory, identity, and experience and are a vital contribution to Chicana feminist thought. The essays focus on Acosta’s literary heroes Jovita GonzÁlez de Mireles, Sara Estela RamÍrez, and Elena Zamora O’Shea, important writers who contributed significantly to Tejana literature and to Texas letters. The children’s story, “Colchas, Colchitas,” is based on Acosta’s most notable poem, “My Mother Pieced Quilts,” which pays homage to her mother and the many women of her generation who employed needles and thread, creating both practical and symbolic artifacts.

This collection is a creative and, indeed, essential expansion of boundaries for what we think of as history, offering a unique and compelling look into the lived experiences and interior contemplations of a Texas artist well worth knowing. Readers will increase their understanding of Tejana experience in the late twentieth and early twenty-first centuries. Tejanaland promises to become an important addition to the cultural record, informing historical perspectives on the experiences of Tejana women and contributing significantly to the existing body of work from Tejana writers.

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