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Temple of the Scapegoat
Temple of the Scapegoat
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€19.99
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A01=Alexander Kluge
Age Group_Uncategorized
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Author_Alexander Kluge
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B06=Donna Stonecipher
B06=Isabel Cole
Category1=Fiction
Category1=Non-Fiction
Category=AN
Category=AP
Category=AVGC9
Category=AVLF
Category=BGF
Category=DNBF
Category=FA
Category=FB
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€10 to €20
PS=Active
softlaunch
Product details
- ISBN 9780811227483
- Weight: 218g
- Dimensions: 132 x 203mm
- Publication Date: 23 Jan 2018
- Publisher: New Directions Publishing Corporation
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Combining fact and fiction, each of the one hundred and two tales of Alexander Kluge’s Temple of the Scapegoat (dotted with photos of famous operas and their stars) compresses a lifetime of feeling and thought: Kluge is deeply engaged with the opera and an inventive wellspring of narrative notions. The titles of his stories suggest his many turns of mind: “Total Commitment,” “Freedom,” “Reality Outrivals Theater,” “The Correct Slowing-Down at the Transitional Point Between Terror and an Inkling of Freedom,” “A Crucial Character (Among Persons None of Whom Are Who They Think They Are),” and “Deadly Vocal Power vs. Generosity in Opera.” An opera, Kluge says, is a blast furnace of the soul, telling of the great singer Leonard Warren who died onstage, having literally sung his heart out. Kluge introduces a Tibetan scholar who realizes that opera “is about comprehension and passion. The two never go together. Passion overwhelms comprehension. Comprehension kills passion. This appears to be the essence of all operas, says Huang Tse-we.” He also comes to understand that female roles face the harshest fates: “Compared to the mass of soprano victims (out of 86,000 operas, 64,000 end with the death of the soprano), the sacrifice of tenors is small (out of 86,000 operas 1,143 tenors are a write-off).”
Alexander Kluge, born in Germany in 1932, is a world-famous author and filmmaker (his twenty-three films include Yesterday Girl, The Female Patriot, The Candidate), a lawyer, and a media magnate. He has won Germany’s highest literary award, the Georg Büchner Prize. Donna Stonecipher is the author of The Reservoir, Souvenir de Constantinople, and The Cosmopolitan. She also translates poetry and prose from French and German. She grew up in Seattle and Tehran and has lived in New York, Paris, Prague, Iowa City, and Berlin. Isabel Cole grew up in New York City and studied at the University of Chicago; since 1995 she has lived in Berlin as a writer and translator. In 2006 she co-founded www.no-mans-land.org, the online journal of new German literature in translation. In 2013 she received a PEN/Heim Translation Fund Award to translate Franz Fühmann’s At the Burning Abyss, and in 2014 her translation of Fühmann’s The Jew Car was shortlisted for the Oxford-Weidenfeld Translation Prize.
Temple of the Scapegoat
€19.99
