Ten Years of Studies in Documentary Film
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activism
Ai Xiaoming
Cabra Marcado Para Morrer
Category=ATFR
Category=JBCT
Chinese independent cinema
Chinese Independent Documentary
Craig Hight
Dara Waldron
digital authorship in documentary scholarship
Digital Documentary
digital media studies
Disjunctive Editing
documentary
documentary activism
documentary auteurs
Documentary Practice
Documentary Scholarship
DV Amateurism
DVD
DVD Release
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fernao Pessoa Ramos
film theory analysis
Great Famine
Hu Jie
Independent Documentary
interactive nonfiction
International Documentary Film Festival
Janet Walker
Jason De Santolo
Jill Godmilow
Jing Meng
John Corner
Judith Aston
Lucia Ricciardelli
Mauvaise Conscience
McArthur River
McArthur River Mine
Michael Moore's Fahrenheit
Michael Moore’s Fahrenheit
Morris's Documentary
Morris’s Documentary
Mother Son Relationship
political documentary research
Rider Spoke
Sandra Gaudenzi
Selmin Kara
Social Historical World
Studies in Documentary Film
trauma representation
Wu Wenguang
Yamagata International Documentary Film Festival
Product details
- ISBN 9780367588007
- Weight: 290g
- Dimensions: 174 x 246mm
- Publication Date: 30 Jun 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This volume will be a ‘time capsule’ of the first 10 years of Studies in Documentary Film (2007–2016), tracing not only the development of the journal but also of documentary studies in the same period. Issues such as the rise of digital documentary forms and authorship, documentary activism, and the Chinese Independent documentary, as well as diverse political issues, will be raised in the introduction and evidenced in the articles. The chapters have been chosen for the various themes they raise in documentary studies but also the broader field of documentary scholarship (including publishing), and the rise of the internet as a powerful force in documentary studies.
Deane Williams is Associate Professor of Film and Screen Studies at Monash University, Melbourne, Australia. He was editor of the refereed international journal Studies in Documentary Film; and author of The Cinema of Sean Penn: In and Out of Place (2015), editor of The Grierson Effect (with Zoë Druick, 2014), and editor of Australian Film Theory and Criticism (3 vols.) (with Noel King and Con Verevis, 2013–6).
