Terence Davies Screenplays, Volume II

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A01=Terence Davies
adaptations
Author_Terence Davies
British cinema
Category=ATF
Category=ATFB
Category=ATFD
classic novels
Edith Wharton
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film adaptation
filmmaking process
Gillian Anderson
John Kennedy Toole
Lewis Grassic Gibbon
literary adaptation
literature
memory
Michael Koresky
personal archive
plays
screenplays
Sunset Song
Terence Davies
Terence Rattigan
The Deep Blue Sea
The House of Mirth
The Neon Bible

Product details

  • ISBN 9781839029769
  • Weight: 1220g
  • Dimensions: 166 x 236mm
  • Publication Date: 16 Oct 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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This second volume of Terence Davies's screenplays brings together his adaptations of classic novels and plays, including his 1995 film of John Kennedy Toole's coming-of-age novel The Neon Bible; his adaptation of Edith Wharton's classic The House of Mirth, starring Gillian Anderson as the young New York socialite Lily Bart; his 2011 film adaptation of Terence Rattigan's play The Deep Blue Sea, and Sunset Song, his adaptation of the Great War novel by Lewis Grassic Gibbon. The screenplays are enriched by previously unpublished material from Terence Davies's personal archive, and there is an introduction to the screenplays by the film critic and curator Michael Koresky.

Terence Davies (1945–2022) was born in Liverpool into a large working-class Catholic family. Inspired by his love for cinema, he began writing short stories from the age of 16 and took up acting while working for over a decade as an accounts clerk. His trilogy – Children (1976), Madonna and Child (1980) and Death and Transfiguration (1983) – established his distinctive voice as a filmmaker. Profoundly influenced by T. S. Eliot’s Four Quartets, he developed a lyrical, meditative style shaped by the nature of memory, time and longing. He went on to make nine feature films, including Distant Voices, Still Lives (1988), winner of the International Critics’ Prize at Cannes, The Long Day Closes (1992), The House of Mirth (2000), Of Time and the City (2008) and Benediction (2021). His novel, Hallelujah Now, was first published in 1984.
James Dowling is the co-representative of the Terence Davies Estate and was a close friend of Terence during the last years of his life. He began working with Davies on his later film projects (including the script for Firefly) and editing collections of his poetry. James has continued to honour Davies’s legacy through film, making two short films based on Terence’s poetry: Passing Time (2023), commissioned by Film Fest Gent, and Home! Home! (2024), commissioned by the Centre Pompidou, Paris, as part of a major retrospective.
Lillian Crawford is a writer and curator. She is currently researching a PhD on Screen Two at Royal Holloway, University of London in collaboration with the BBC. Her first book, The Mind of the Doctor: Across the Neurodiverse Universe of Doctor Who, is published by Herne Books in 2026.
Mark Cousins is a film director, producer and writer best known for his 15-hour documentary The Story of Film: An Odyssey (2011). Mark has worked on numerous cine-essays, including A Story of Children and Film and I Am Belfast, in which the city is personified by a 10,000-year-old woman. Mark is also a presenter and critic, known for his work on Scene by Scene and Elsewhere.

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