Terminal Boredom

Regular price €17.50
A01=Izumi Suzuki
Age Group_Uncategorized
Age Group_Uncategorized
Author_Izumi Suzuki
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B06=Aiko Masubuchi
B06=Daniel Joseph
B06=David Boyd
B06=Helen O'Horan
B06=Polly Barton
B06=Sam Bett
Black Mirror
Category1=Fiction
Category=FA
Category=FBA
Category=FLC
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_fiction
eq_isMigrated=2
eq_modern-contemporary
eq_science-fiction
Japan
Language_English
Lucia Berlin
Margaret Atwood
PA=Available
Price_€10 to €20
PS=Active
Science fiction
softlaunch
The Handmaid's Tale

Product details

  • ISBN 9781788739887
  • Weight: 183g
  • Dimensions: 129 x 198mm
  • Publication Date: 20 Apr 2021
  • Publisher: Verso Books
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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On a planet where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia -- until a boy escapes and a young woman's perception of the world is violently interupted. Two old friends enjoy cocktails on a holiday resort planet where all is not as it seems. A bickering couple emigrate to a world that has worked out an innovative way to side-step the need for war, only to bring their quarrels (and something far more destructive) with them.
And in the title story, Suzuki offers readers a tragic and warped mirroring of her own final days as the tyranny of enforced screen-time and the mechanistion of labour bring about a shattering psychic collapse.

At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.
Izumi Suzuki (1949-1986) was a countercultural icon and a pioneer of Japanese science fiction. She worked as a keypunch operator before finding fame as a model and actress, but it was her writing that secured her reputation. She took her own life at the age of thirty-six.