Text and Performance in Contemporary British Theatre

Regular price €173.60
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Catherine Love
Action Hero
analysis
Arts Council
Author_Catherine Love
authorship
Black Watch
Britain
British
British Theatre
British Theatre Culture
BTC
Category=ATD
Chekhov's Play
Classic Plays
contemporary
creative writing pedagogy
Crouch's Play
Debbie Tucker Green
digital editing in theatre
Drama Panel
Dramatic Canon
Dramatic Texts
dramaturgy
editing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Jasmine Lee-Jones
literary adaptation
Mitchell's Production
performance
performance studies
plays
Postdramatic Theatre
practitioners
publishing
RashDash
script analysis
Solo Autobiographical Performances
Speech Prefixes
Stage Directions
stagecraft innovation
Tara Arts
technology
theatre
Theatre Text
theatre-makers
Tim Crouch
Tucker Green
UK Copyright Law
Ulster Literary Theatre
Vice Versa
Wild Duck

Product details

  • ISBN 9780367648916
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Feb 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance.

Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text.

Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.

Dr Catherine Love is a theatre academic and arts journalist. She is currently an Honorary Research Fellow at the University of Manchester. She has previously published journal articles and book chapters on the work of theatre-makers including Katie Mitchell, Michael Pinchbeck, Simon Stephens, and Elevator Repair Service, and she is the author of Tim Crouch’s An Oak Tree. She also reviews theatre across the North of England for the Guardian.

More from this author